Catrin Welz-Stein creates strange, magical images from combining old photo fragments, paintings and illustrations. She originally trained as a graphic designer and illustrator in Germany and then worked in graphic design. During a break from work to bring up children, she began in 2009 to create images based on digital collaging in Photoshop. She has said she felt compromised by professional graphic design, having to make art that is ‘forced to explain itself from the beginning’. In Photoshop she began to produce images with a dreamlike quality instead, an art that comes from ‘inner feeling which we hide in our daily lives’. The time spent with her children also re-introduced her to fairy tales and the fantasy of children’s literature.
Welz-Stein’s work draws on the many photographs, paintings and illustrations that she stores on her computer. She produces the images by cutting, copying, transforming little pieces of images and blending them with others, sewing all the fragments together to create something new. Motifs recur: keys, moons, birds, flowers, leaves, trees, bird cages, fish, words, houses, butterflies, water, balloons. Each image tends to focus around one figure (sometimes a few figures), predominantly women, though there are men, children and birds, too. Around, and sometimes within, the figure, fabulous and odd things take place: a woman stares at a huge fish floating across the sky with a whale roped to its underbelly; a girl walks across a tightrope high above a city, holding the earth as a balloon; a woman’s long hair protrudes almost horizontally behind her, and from it hangs a moon, a cloud, a bird cage; a man in a top hat stands beneath a streetlight, the light inside which is the crescent moon. The costumes worn by the figures are often extravagant: a woman’s dress is made from flowers or leaves or buildings, a girl wears an Edwardian dress with keys dangling from its rear.
The images engender a poetic world reminiscent of fairy tales and surrealism; some are unsettling, others more whimsical. Each picture seems to tell a fragment of a story, one based on an unconscious truth. Welz-Stein cites her contemporary influences as artists and illustrators like Kelly Rae Roberts, Okaf Hajek and Natalie Shou; more historical influences include Botticelli, Otto Dix, Rene Magritte, Frida Kahlo and Gustav Klint . Certainly Magritte’s impact is evident, with his depictions of ordinary objects in a strange context to engender poetic realities; and that of Frida Kahlo too, with her women in odd scenarios, dressed in extravagant costumes, closely linked to the earth, vegetation and animals.
Catrin Welz-Stein’s work became well known through social media. She now has 27K likes on Facebook and over 2000 followers on Instagram. More about her can be found from her website http://catrinwelzstein.blogspot.am/